The president of Zimbabwe, Robert Mugabe, has allegedly fired his chief of defence forces.
Robert Mugabe and wife
If the tweets by Alex Tackie and a few others are anything to go by, President Mugabe allegedly fired his chief of defence forces, seen seated next to his wife in the photo below for being too close to his wife and staring at her butt when she bent down.
 
See the photos below:
  Just recently, the controversial president , and revealed the real reasons. Robert Mugabe, who is often in the centre of controversy to make mockery of the legalization of gay marriage in the USA.
twitter pinterest facebook email by Taylor Silver If you're getting tired of your friends' drunken Snapchats, lackluster geotag locations, and pictures of vape clouds, spice up your feed by following some of our favorite accounts. CDiE14DWAAAWa4z.jpgRihanna (@Rihanna) If you're one of the crazy few who isn't already following RiRi's snaps, you're missing out on her fishing expeditions (and make outs with giant fish), convenience store runs, and photoshoots in the backs of cars. enhanced-27553-1408645911-9.jpgLACMA (@LACMA_museum) The Los Angeles County Museum of Art was the first museum to join Snapchat, and they really know what they're doing. k0uP4ro.jpgCasey Neistat (@CaseyNeistat) Vlogger Casey Neistat, who's pretty much a Snap storytelling expert, even launched his own super-simple video sharing app which you can read more about here. grid-cell-1871-1430407508-13.jpgDr. Miami (@TheRealDrMiami) Dr. Michael Salzhauer, AKA Dr. Miami, is a prominent plastic surgeon who posts stories from inside the operating room. So, if watching some good 'ol rhinoplasty is your "thing," this is definitely the account for you. desktop-1425917968.jpgChristine Mi (@Miologie) Known as the "Picasso of Snapchat," Christine Mi crafts complex and hilarious self-portraits. She's channeled everyone from Frida Kahlo to the Nevermind baby. tumblr_nq791yBptE1ratxo2o1_1280.jpgFrank Ocean (Arealglitterboy) Frank's not one for social media, but we sure were glad when he announced he'd made a Snap account back in May. snapchat-inconnus.jpgGeeohsnap (@GeeohSnap) Geir Ove Pedersen, the Norwegian man behind Geeohsnap, takes candid photos of strangers and paints them into wonderfully weird scenarios. CB9MnHvXIAAMqGC.jpgKylie Jenner (@KylizzleMyNizzl) Kylie's snapchats are a whirlwind of Italian greyhounds, lip-sync sessions, ever-changing hair color, and her insistence that she's not high out of her mind. Jared-Leto-Snapchat.jpgJared Leto (@JaredLeto) Jared Leto is a real joker on Snapchat...Ha, get it because...Ok, sorry. CENPrltVIAE-dEA.jpgOlivier Rousteing (@OlivierRoustein) Balmain's creative director Olivier Rousteing only made his account 2 weeks ago, but we're especially pumped for any peeks at the upcoming line or perhaps a Kim K kameo. CHrN9s_WgAA7BUr.jpgJustin Bieber (@RickTheSizzler) When Bieber announced his foray into the snap world last month, we were equal parts excited and terrified. We still are. IMG_3017.PNGDev Hynes (@KermitKokomo) Blood Orange's Dev Hynes shares snippets of new songs, skateboards in the East Village, and occasionally sneaks in a Julian Casablancas cameo.
twitter pinterest facebook email by Shelley Farmer It's been a while since the old stereotype that "women aren't funny" was put to bed and thankfully now the "humorless feminist" trope is also meeting its demise. For those of us who have seen Trainwreck and plowed through every episode of Inside Amy Schumer or The Mindy Project, here are ten rising feminist comics whose excellent work can hold us over until Broad City comes back. (Though the following are all women, there are also plenty of male comics fighting the good fight, too!) Aparna Nancherla copy.jpg[Photo by Kevin Thom via] Aparna Nancherla Nancherla is probably best known for her work as a writer and sometimes-performer on the prematurely cancelled FX show Totally Biased with W. Kamau Bell. While she was excellent in her high-energy, politically-charged work on that series, her laidback, observational stand-up is a delight. Recommended: Woman Are KILLING IT! Screen Shot 2015-08-07 at 3.17.26 PM.pngKate Berlant Whether performing stream of consciousness-style stand-up or passive aggressively battling with John Early (who gave us this summer's best "Corner of the Sky" in Wet Hot American Summer), Kate Berlant combines surrealist sensibilities with a keen satiric eye. No self-absorbed Brooklyn type is safe. Recommended: Comedy Drop Screen Shot 2015-08-07 at 3.18.52 PM.pngCameron Esposito No one rocks a jean jacket and side mullet quite like Cameron Esposito. A popular stand-up, podcast favorite, and star of Buzzfeed's "Ask a Lesbian," Esposito's profile is on the rise following the success of her recent album, Same Sex Symbol. Her jokes are specific and personal, but her inviting style makes her appeal universal. Plus, she's engaged to the wonderfully funny Rhea Butcher! Recommended: The Greatest Period Joke of All Time Screen Shot 2015-08-07 at 3.26.05 PM.png[Photo by Christopher Dibble] Nicole Byer Despite her warm, bubbly persona, Nicole Byer's work is characterized by a sharp wit and keen understanding of coded sexism and racism. Her webseries "Pursuit of Sexiness" (a collaboration with SNL's Sasheer Zamata") is smart, surreal, raunchy, and hilarious. This lady needs her own show YESTERDAY. Recommended: Nicky Can't Have It All Screen Shot 2015-08-07 at 2.59.32 PM.pngMegan Neuringer Actress/comedian Megan Neuringer is EVERYWHERE. Besides appearing on shows like @Midnight and Best Week Ever, she's acted on series like Flight of the Conchords, Fringe, and Strangers with Candy. A fantastic joke-writer, she has contributed to Late Night with Jimmy Fallon and her Twitter feed is a goldmine. Recommended: @Midnight -- "Get a Room" Screen Shot 2015-08-07 at 3.05.36 PM.pngPhoebe Robinson Phoebe Robinson's blog is called Blaria -- as in "Black Daria" -- a name that aptly captures her comedic style. Combining deadpan, conversational delivery with succinct, insightful commentary on complex topics, Robinson breaks down the indignities and absurdities of being a black woman in America with wit and an unfailing sense of humor. Recommended: Mostly True with Phoebe Robinson Screen Shot 2015-08-07 at 3.06.56 PM.pngShappi Khorsandi British stand-up Shappi Khorsandi covers material as wide-ranging as growing up Iranian in the UK and raising two children on her own, all with unflagging energy and razor-sharp timing. Besides her successful stand-up career, Khorsandi also wrote A Beginner's Guide to Acting English, a memoir about her family's flight from Iran and her childhood years. Recommended: Edinburgh Comedy Fest Live 2014 Screen Shot 2015-08-07 at 3.11.39 PM.pngEmily Heller Emily Heller has a confident ease onstage, which isn't surprising considering her impressive comedy pedigree: UCB training, writing and performing gigs on network TV, a successful stand-up career, and a Comedy Central special. Never pedantic, Heller's feminism is simply a fundamental aspect of the delightfully dry comic's worldview. Recommended: Feminism is Not Very Fun Nadia Kamil copy.jpg[Photo by Wasi Daniju via] Nadia Kamil You may recognize Welsh-Iraqi comedian Nadia Kamil from her viral videos "Pap Rap" and "Nadia Kamil Does Burlesque." Her work -- explicitly political, but couched in her loopy, goofy style -- combats the tired Humorless Feminist trope one sketch at a time. Recommended: Drunk Driver Safety Advice Negin Farsad copy.jpgNegin Farsad Negin Farsad owns her own production company, has written and directed narrative and documentary features, worked as a senior policy advisor in New York City, and has two (TWO!) masters degrees from Columbia University. She also happens to be really, really funny. Combining intellectual acuity with endearing delivery, Farsad mines laughs from global politics, gender inequality, and how to say "condom" in Farsi.
twitter pinterest facebook email by Kurt McVey / photos by Shan Turner-Carroll Shan_Paper_4.jpgRoughly a year has passed since Danish black metal artist Myrkur released her striking -- and mysterious -- self-titled debut EP. Since then, listeners, metal heads and music writers alike have wondered about the one-woman force behind the project, who initially chose to keep her identity hidden. But now she's come forward -- Amalie Bruun, the Ex-Cops frontwoman, Chanel model and excellent Jenny stand-in opposite Michael Bolton's Forrest Gump in a Lonely Island parody video. That Bruun originally preferred to be anonymous is somewhat understandable -- she's exceptionally beautiful and in an industry where all too often looks are valued more than talent, it was a savvy choice to let her music speak for itself and for interest to grow around her songs and not her physical features. On August 21st, Bruun-as-Myrkur, which means "darkness" in Icelandic, will release M (Relapse), a full length album that blends black metal with traditional Nordic folk music and references to classical compositions. M (actually Myrkur's symbol, the Nordic Rune/symbol of Mannaz {Mankind}) was recorded in various locations throughout Norway and was produced by vocalist and experimental metal musician Kristoffer "Garm" Rygg of the celebrated Norwegian music collective Ulver, whose Wagner-meets-Deafheaven aesthetic is all over the album. But make no mistake, the record and its overall vision belongs to multi-instrumentalist Bruun, who recorded and arranged each individual demo track before taking them to Rygg, supplying most of the album's piano and guitar, as well as her vocals, which volley between harmoniously layered choir arrangements and her ferocious, trademark primal scream. We caught up with Bruun at Jimmy Hendrix' famed Electric Lady Studios in Manhattan's West Village to talk about her new record, where she got that killer scream and why she sees Tetris pieces in her dreams. Read her thoughts and hear album track "Jeg er Guden, I er Tjenerne," which we're excited to be exclusively premiering, below. What are you up to when you're not in the studio making music? What do you do for fun? I spend a lot of time outdoors, things like hiking and I travel quite a bit, even if it's just between Scandinavian countries. But really, I like to play music for fun. I get a little nerdy with classical music. I like to dissect it and figure out why it speaks to me. I just recorded this Chopin style version of the Tetris song for example -- that classic Russian folk song. Wow. It's hard to listen to that without getting a bit stressed out-level 10. Tetris is my favorite game. Well, of that type of thing. Often I see the pieces in my dreams if I play too much. Though, it's better if I keep my mind occupied. If you were a Tetris piece... Which one would I be? Well, when you play a lot the best piece is always the "long piece." The "long piece" is a metaphor for so much, it can be your... Savior? I was going to say lover. I think I would be one of those not quite long pieces, the "L piece." I hate the "L piece." Though, I'm not the "long piece" either. I'm more like the "t" I get the most joy from that one. It's flexible. It does a lot of things, like my music. [laughs] Looking at other Danish artists like Lars Von Trier and Nicolas Winding Refn, there's a particular type of irreverence or coldness associated with their projects. Do any of those feelings make their way into your music? They've made their way into the whole project. I'm a very unapologetic artist. There are moments on the album that are overly emotional and melancholy and then there's total harshness and coldness -- that combination is interesting. In Scandinavia we have "The Law of Jante" [a concept created by the Dano-Norwegian author Aksel Sandemose found in his novel A Fugitive Crosses His Tracks]. It's about a small town mentality, a sort of Ten Commandments that prevent people from celebrating individual success. You're not allowed to have "big arms" as we say over there. The young people in Denmark are tired of this I think. We're rebelling. Though, on the other hand, sometimes I vomit when I see certain behavior here [in America]. Me too. Why do you need to be heard so much? Shut up! Do you see this album crossing over to mainstream American audiences or listeners who may exist outside of a particular metal or hardcore scene? Yes I do. It was one of my goals as a musician. In Denmark we don't have as much respect for the genre of metal and the art form that it is, in contrast to Norway for example, where it's played in most venues and written about in every newspaper. It's part of the cultural heritage there. Are you careful to highlight or respect the traditions of the genre? I respect the traditions and I take it with me, though I'm not sure what I do is just metal. It's a hybrid. Really, it's a lifestyle and part of my overall identity. I get it. People can be protective. When you like metal, your heart bleeds for metal. In fact, I just read that metal is the most streamed genre on Spotify, but you would never know because it's not shoved down your throats on TV or the radio all the time. Let's talk about your scream. When did you know you could go there, not just vocally, but emotionally? I was born in the town I still live in, HØrsholm, in Northern Denmark, by the coast. It is stunning. Growing up, I had the freedom to walk alone in the forest. That's where I first discovered that primal scream that connects deep down in your stomach. I knew immediately how powerful it was. Shan_7.jpgWhat compelled you to scream at the time? Was it just the vastness or something more personal? I wanted to see if there was an echo, if birds would fly from the trees, if anyone would hear me and be bothered or worried and I guess also just anger, hate, a desire for revenge maybe, or frustration. Since then I've made a thing out of doing that. I always encourage people to find a deserted place and explore their primal scream. Nowadays, what are you using as "fuel" to summon that scream? I think a lot of things are harder for me than "normal" people. I take in everything so much. I just don't have a filter, unfortunately. I'm very in touch with my emotions, but normal tasks, or even being around people for fun is very hard for me. It's not that I'm not interested in having your typical social life; it's just difficult for me. Do you have siblings? Two brothers -- one older, one younger. I'm actually a little sister, psychologically, as my little brother is just a teenager and he's from a new marriage. But I like the idea of being a big sister to him. I don't get to see him, or my father so much, he's a musician, so...My big brother is proud of me, I know that much. What about your mother? She's so proud and so happy. She loves Myrkur. She went to the first concert I played in Denmark and she said to me, "That was 100% you. This is the woman I know." That meant a lot to me, as I've always been a torn, incomplete person. Why do you think that is? Shan_7.jpg I've had two separate lives in music, two separate families... How old were you when your parents divorced? Nine. But my family was good to me. I am not complaining. Though I would be lying if I said I didn't retreat into music, whether it was piano, or violin, or later guitar. I wasn't a very friendly girl when I was young. I would invite kids over, direct them in plays I had written from my piano, and when it was over, I would tell my mom to make them leave. [laughs] Are you comfortable with the term "black metal" being used to describe your music? Do you ever feel confined by the tropes of the genre? Musicians came up with the term "black metal" in Norway in the '90s to distance themselves from death metal, to describe something less "big arms" hardcore and more low-fi, something more of a belief system, a whole universe. I like everything black metal represents. I love the music, truly. People want to know if I got into it for other reasons or motives of some kind and I always say no. When I heard black metal for the first time, I knew that was it for me.
twitter pinterest facebook by Sandra Song MarilynMansonPaper2.jpg photo by Terry Richardson Last Sunday in Nashville, Marilyn Manson turnt up at his own show/service with a little help from his nun-in-charge, Smashing Pumpkins frontman/wrestling producer Billy Corgan -- an earth-splitting event captured by a devout fan with a cam. In expected form, it begins with Manson orating from his great pulpit about seven-headed beasts and setting Bibles alight, all topped off by some nice gyrating/flopping action to the beginning of "Antichrist Superstar." But what's not so expected is the appearance of his friend Corgan in full on nun drag, which then briefly moves into a possessed, nun-themed cover of "Girls Just Wanna Have Fun." Thank Satan for whoever decided to put these two on tour together
twitter pinterest facebook email by Eric Thurm Over the past few weeks, we've talked a lot about rap beef, which means it might be time to revisit one of the longest, most drawn-out conflicts in the history of the game, a beef that consumed hip-hop to the point where there were long stories in big magazines about it: the 50 Cent-Ja Rule feud. Everyone remembers 50 Cent as having brutally defeated Ja Rule -- who is now mostly referenced as a joke, even though he was huge for a while, and certainly the bigger star when the then largely-unknown 50 Cent initiated the beef -- but is that what really happened? Now, with Ja Rule releasing new music and potentially on the verge of mounting a serious comeback attempt, let's take the opportunity to reassess the conflict: October, 1999 -- 50 Cent Releases "Your Life's on the Line" The first diss track firmly associated with the beef, this was, according to Ja Rule, simply the result of general dislike on the part of 50 Cent -- who has never shied away from a conflict. In Ja Rule's telling (to Louis Farrakhan!), this led to a confrontation/attempted mediation at a show in Atlanta that turned physical: "We got face to face and talked, but it all came to play during the talk. We got mad and went off at the handle quick." However, 50 Cent claims that, contrary to Ja Rule's account, the beef was originated by the fallout from one of his friends robbing Ja. Afterward, Ja Rule reportedly informed Irv Gotti (founder of his label, Murder Inc.) of the robbery, involving Queens drug kingpin Kenneth "Supreme" McGriff (the unofficial bank behind Murder Inc.) in order to get his jewelry back. (For what it's worth, Ja Rule acknowledges that this incident happened, but claims 50 mostly used it as an excuse.) March, 2000 -- 50 Cent is Stabbed 50 is attacked at New York studio The Hit Factory by several people involved with Murder Inc., including rapper Black Child, who stabs him. 50 goes to the hospital with a punctured lung. April, 2000 -- 50 Cent is Shot Not long after the stabbing incident, 50 Cent is infamously shot nine times. Court documents name McGriff as a suspect. McGriff's criminal activities are also outlined in 50's track "Ghetto Qu'ran," which gives Murder Inc. ammunition to accuse 50 of being a snitch. 2000-2002 -- Mixtape Diss Tracks Fly 50 Cent recovers, and he and Murder Inc. proceed to diss each other over and over and over again. Most of these tracks are forgettable, but the mutual hatred grows. Ja Rule continues to be far more successful than most people remember now, releasing the massively successful, triple-platinum Pain is Love. He is livin' it up. February, 2003 -- 50 Cent Releases Get Rich or Die Tryin' 50 Cent finally releases his proper debut album after getting cosigns from Eminem and Dr. Dre. The massive success of this record, as well as Ja Rule's waning popularity (the release of The Last Temptation represents the beginning of the end, perhaps because of how long he's been in the spotlight trying to claim the top spot), cements 50 Cent's musical victory in the beef, especially through classic diss track "Back Down." (Interesting sidenote: While Ja Rule and 50 Cent are the same age, they weren't seen as musical contemporaries. Ja Rule's extremely successful first record was released back in 1999 and for a solid four years, 50 was the clear underdog in the beef.) November, 2003 -- Ja Rule Releases Blood in My Eye Poor Ja Rule. This album, originally intended as a mixtape, was rushed out by Murder Inc. to decent, but ultimately lacking sales. At the very least, its only single, "Clap Back" was a chart-topping 50 Cent diss. 2003-2011 -- The Conflict Continues, But No One Cares Ja Rule releases some more music after Blood in My Eye, but mostly drops off the map shortly after. Eminem and Dr. Dre diss him on an Obie Trice record and 50 Cent, now one of the most successful rappers in the world, becomes the undisputed winner of the beef (even Ja Rule admits he lost, at least "on wax"). Ja's reputation is in ruins, while 50 Cent nominally runs rap -- until he gets outsold by Kanye in 2007. The beef recedes into memory but, while there are lots of minor incidents and possible stopping points (for example, the Farrakhan-Ja Rule "mediation"), it has no well-defined ending. April, 2011 -- Ja Rule Declares the Beef Over (on Twitter) A couple of months before starting a prison sentence for tax evasion, Ja Rule tells Sway Calloway he's going to stop taking shots at 50 on Twitter. The beef has started to rot, and by now it's just kind of sad that the way Ja Rule goes about getting attention for himself is to bring up a fight that most people think he lost. (By now an established, successful rapper, 50 Cent is in the unusual position of being able to mostly ignore Ja Rule -- the correct move in any beef.) November, 2013 -- Ja Rule and 50 Cent Sit Near Each Other on a Plane Having recently admitted to taking the loss in the beef, Ja Rule finds himself sitting near 50 Cent on a plane. Perhaps in part because the pair are now nearly 40 and are also in the enclosed space of an airplane with a bunch of other people, nothing happens. June, 2014 -- Ja Rule Accuses 50 of Snitching (Again) Back to the beef! In his book Unruly, Ja Rule claims that 50 Cent "secretly led [the feds] through his recordings for the answers they were looking for." Snitching was a common allegation in the feud (dating back to "Ghetto Qu'ran"), but this puts the accusation on paper instead of wax (or radio waves). 50 Cent's response is primarily to laugh and remember how badly he messed up Murder Inc. July, 2015 -- 50 Cent and Ja Rule Respond to the Drake-Meek Beef In the midst of an insane, far less violent rap beef, Meek Mill compares himself and Drake to 50 Cent and Ja Rule. The pair separately weigh in, sparking an ongoing minor social media fight. Here's Ja Rule: Meanwhile, 50 Cent goes on Hot 104.1 to discuss ghostwriting (he doesn't really care about it). More importantly, the rapper uses his life coaching skills to identify what he perceives as the root of the feud. "I think it's really a Nicki and Drake thing," he says. Preach. And here we are -- with the two veterans taking potshots at each other on social media while failing to release successful music (and, in Ja Rule's case, doing a TV show on MTV). Is this worth paying attention to in the long term? The first few years of the beef are legitimately fascinating and complicated and evidence of real disdain rather than the typical conflict, which often resembles marketing-as-theater. But bringing it up over and over again, when hard feelings have probably mostly subsided? Well, that's just Ja Rule's Last Temptation.
twitter pinterest facebook email by Eric Thurm Last time we looked at the Drake-Meek Mill Twitter beef/rap beef/somewhat confusing fight over Nicki Minaj, it was relatively small in scope -- Meek accused Drake of having other people write his rhymes (which was already kind of common knowledge), said possible ghostwriter Quentin Miller had to run for the hills, and poor Nicki Minaj was caught at the center of two dudes -- a slap-fight between her current boyfriend and a man with whom she has a rather complicated personal and musical past. It's developed sufficiently now to suggest all kinds of levels of strangeness, and to require this: a full timeline of recent developments in the Great Meek Mill-Drake Battle of 2015. Saturday, 7/25 -- Drake Drops Meek Mill Diss Track "Charged Up" "Charged Up" premieres on the OVO Beats 1 radio show. It's a pretty much what you expect from a Drake diss track, in that it's relatively non-aggressive, sad, and has spawned a minor meme comparing Drake to a fully charged iPhone battery (and Meek to a phone about to die). Monday, 7/27 -- Meek Mill Ghosts on his Response Track Hot 97 DJ Funkmaster Flex, a New York hip-hop mainstay (for perhaps too long), has already announced his interest in the Meek-Drake beef, claiming to have the reference tracks ghostwriter Quentin Miller recorded. Flex loudly says that Meek is going to premiere his response on his show, which entices many people to listen to terrestrial radio for the first time in years. Instead, Flex loops Rihanna and Fetty Wap and becomes the subject of a vast array of jokes on the internet. Instead of taking the L, Hot 97 tries to pile on Meek, claiming he just failed to give them the track. DJ Ebro Darden complains that they just wanted to take Meek "at his word," and it is sad. Later Monday Night -- Meek Screams Into His Computer Meek claims to have dropped a response diss track called "Beautiful Night," which is just him yelling. 'Kay. Tuesday, 7/28 -- Nicki's Ex Safaree Issues a Cry For Attention Safaree Samuels, the ex Nicki has already sufficiently clowned, attempts to enter the musical fray by, among other things, claiming that he ghostwrote swathes of The Pinkprint (notice how many of these moves are just people claiming things without showing the receipts). The track, ironically titled "Lifeline," is very bad, but you can find it here if you are feeling particularly masochistic with regards to tertiary participants in mediocre rap beefs. Tuesday Night -- Meek and Nicki Perform in Toronto, and it is Weird Nicki's Pinkprint tour stops in Toronto, the city her boyfriend Meek Mill is supposedly barred from by the most badass city councillor in the game. Meek is late for his set, but eventually shows up to what appear to be light boos. During his abbreviated set, Meek performs Yo Gotti's "Fuck You," flashing the title lyrics to the assembled crowd of teens and parents who wanted to see his girlfriend perform. Meek's choices appear increasingly confusing and opaque to a world that just wants to see him follow through on a fight he initiated in the first place. Meek and Nicki make a show of togetherness, but Drake looms over the performance. Wednesday, 7/29 -- Drake Drops "Back to Back" With Meek seemingly collapsing, Drake goes in for the kill with another diss track, a "freestyle" in which he addresses the situation far more aggressively, owning his role as a musical curator ("I got the Midas touch") and leaving us with classically divisive Aubrey phrases. (Like, seriously -- is "trigger fingers turn to Twitter fingers" genius, or horrible?) And here we are. There are some other minor developments piling on the participants (like this GoFundMe campaign to help Meek finally record an actual diss track), but for now, we're left with a large number of extremely confusing choices and questions. Why hasn't Meek made an actual explicit diss track? (This is especially confusing since he is, by all accounts, a pretty good battle rapper.) Why is Drake going in so hard on Meek, when all of the laws of rap beef suggest you never, ever punch down at someone less popular than you, lest you validate them and give them unnecessary attention? How pissed is Nicki at both of these man-children? The only plausible explanation, from where I'm sitting, is that this is all a PR campaign gone horribly wrong for a secret Drake-Meek Mill collaborative album, their own version of Watch the Throne where the throne is adorned with psychosexual post-breakup hangups and framed photos of Nicki Minaj while she rolls her eyes from the booth, where she is actually continuing to do the work being a recording artist. The cover of this album will feature Meek and Drake hugging. It will be profound. UPDATE: Thursday, 7/30 -- Meek Responds, Flex Thanks the Old Gods and the New The beef is ongooooing. Meek claims he will finally drop his diss track on Hot 97, and the rap world reluctantly turns on their radios one last time, only to hear Funkmaster Flex go on and on about how "THE STREAM IS LIT" and "THE GRAM IS LIT" and some other random yelling that reminds you why Spotify is actually kind of great. After several hours, just before the end of his show, Flex plays the Quentin Miller reference tracks, and while it doesn't definitely prove Meek's allegations (is the reference track strictly for lyrics? is it for sound?), it does function as an actual, um, piece of evidence. Then, finally, the moment everyone had been waiting for -- Meek's diss. (Spoiler alert: It does not go down well with the internet.) Yall petty af pic.twitter.com/eh6GcZmJNY -- THE CULTURE (@Toussaint215) July 31, 2015 Titled "Wanna Know," it includes a rather aggressive comparison between Drake and Milli Vanilli, the use of the Quentin Miller reference tracks as samples, an admittedly pretty fantastic beat that far outclasses the actual rapping, and the apparent accusation that someone once peed on Drake in a movie theater or something? It's not a great song, but it's a solid diss track, which means the internet gets to spend ever more time wondering who is winning the Drake-Meek beef this weekend. See you at OVO Fest! Thursday Night/Friday, 7/30-31 -- Day of the Dead Instagrams It's fitting that much of the conflict has played out through open-letter, weird social media posts, since Meek started it on Twitter. But this time, an entire round went down on Instagram, as Drake first sort-of responded to "Wanna Know" before Meek basically reiterated his position again. And now, with a lull in the beef, we have to ask ourselves: What did it all mean? (Maybe these memes can help.) A photo posted by champagnepapi (@champagnepapi) on Jul 30, 2015 at 8:02pm PDT So this is rap now! You can have a n#%ga write ya raps and that's acceptable.. just like in the streets you can tell on people and still b the man and get the same respect as the next man! It's almost over for the the game lol I'm confused outchea...... I'm making all trap music after I do my thang with them! We still loaded! #quentinmiller changed the game #youtherealmvp A photo posted by Meek Mill (@meekmill) on Jul 31, 2015 at 8:12am PDT Monday, 8/3 -- Drake Gets Petty With His Shirts Once more unto the breach, fam. A couple of updates on the Drake front. First, at a kickball game he was apparently supposed to play with LeBron James, Drake says he "hasn't taken a loss all week" and then reveals the "Charged Up" logo on his shirt which, ha, because he's winning the beef! (And he's really good at turning stuff into clothing-based memes.) Then he wears a "Free Meek Mill" shirt backstage at OVO Fest, continuing his tradition of sick burns through torso clothing. Drake is wearing a "Free Meek Mill" T-shirt backstage at #OVOFest pic.twitter.com/mrqMgZrRex -- Complex UK (@complex_uk) August 3, 2015 Ouch. Later That Night -- Drake Sticks the Knife in: More Like NO-VO Fest (Please, Make it Stop) And here we are. In addition to the "Free Meek Mill" shirt, Drake's performance at OVO Fest starts with his diss tracks, during which the screen behind him displays what was essentially a PowerPoint of Meek memes (a few of which we've already rounded up). Twitter feasts. The crowd at the festival (which included appearances by Kanye West, Skepta, and Pharrell) chants "FUCK MEEK MILL" a bunch, while Drizzy takes his victory lap and teases yet another diss track. Drake-Meek diss tracks will become the way our grandchildren measure the passage of time. And after the set, Drake, Kanye, and Will Smith hang out to look at memes and clown Meek Mill. (Celebrities: They're just like us!) Meanwhile, the Meek-dome is in disarray. Tuesday, 8/4 -- Meek Threatens to Wedgie Drake Sigh. Once more, unto the beef. Meek drops another "freestyle" in Charlotte, attacking Drake over the OVO Fest stuff -- including a threat... to... wedgie him? Admittedly, Drake the type of dude who you kind of wish would get wedgied by a bully, but this seems like an inappropriate way to conduct your rap feud. Check it out below, with more information at Consequence of Sound. Meek stays pretty strongly in his lane here -- he keeps repeating the accusations of ghostwriting, which Drake has yet to respond to (and should, by all rights, have some negative effect on his career), and he's 100% right that Aubrey was too afraid to respond when Kendrick and Pusha T came at him. This is still kind of weak and flailing (in keeping with the rest of Meek's responses during this beef), but if Drake releases "3Peat" and overplays his sneering hand, is there a chance public opinion might start to turn? At least that'd make things more interesting.

pinterest  
BP2015.gif Every April for the last 18 years, we've scoured the earth to bring you a dazzlingly shot portfolio of people who are helping to shape their cultural moment and looking really good while they're at it. This year, we decided to blow things out of the water with a mega-edition of scene-making, earth-shaking, heartbreaking creative folks across a vast range of disciplines. And because the story happened to coincide with our American Dream issue, we asked some of them how they define, embody and/or subvert that elusive ideal. From white-hot fashion duo Eckhaus Latta to lightning-rod singer and actress Zendaya to cultural critic Ta-Nehisi Coates and beyond, here are 70 people we only have eyes for in 2015.

MUSIC
SHAMIR
ZENDAYA KELELADEJ LOAFDOWNTOWN BOYS   THE MARTINEZ BROTHERS BORNSUNiiQU3 YOUNG THUGMISSY MAZZOLI

MEDIA & TECH
TA-NEHISI COATES RUBA WILSON SARAH KOENIG K-HOLE MAMRIE HART ALEXANDRA MARZELLA CASEY JANE ELLISON CHRIS MILES JULIEANNE SMOLINSKI

FILM & TV
ELLAR COLTRANE GINA RODRIGUEZ DESIREE AKHAVAN SHAMEIK MOORE AUBREY PEEPLES ANDERS HOLM LESLIE JONES BRYSHERE GRAY LILY JAMES

ART
CHLOE WISE  PETRA CORTRIGHT ANGELA WASHKO ALLIE POHL NATE HILL SAM MCKINNISS PHOEBE COLLINGS-JAMES ARVIDA BYSTROM

FASHION DESIGNERS & STYLISTS
ECKHAUS LATTA WIL FRY ANDY LECOMPTE RYAN ROCHE 69 WORLDWIDE PAUL ANDREW AURELIE BIDERMANN HARBISON GYPSY SPORT ORLEY

MODELS
HARI NEF BELLA HADID LUCKY BLUE SMITH NATALIE WESTLING TARUN NIJJER AYA JONES MOLLY BAIR CORY BAPTISTE MICA ARGANARAZ SOO JOO PARK

FOOD
GERARDO GONZALEZ / EL REY LUNCHEONETTE SABRINA DE SOUSA & ALISSA WAGNER / DIMES ELISE KORNACK / TAKE ROOT JESSICA KOSLOW / SQIRL   SARA KRAMER   JANEEN GUDELJ / THE DONUT SNOB ALVIN CAILAN / EGGSLUT, RAMEN CHAMP MILES THOMPSON/ SHED ALEXANDRA WHISNANT / GATE COMME DES FILLES ANGELA DIMAYUGA / MISSION CHINESE NYC

pinterest
american_dream_kanye_west_april_cover.jpgI know people want to talk about the American Dream, but my dream is a world dream. It's a world in which everyone's main goal would be to help each other. The first thing I told my team on New Year's Day was, "You know, people say bad news travels fast, but this year let's make good news travel faster." You get back what you put out, and the more positive energy you put out, the more positive energy you'll get back. We had to do a lot of fighting in the past couple of years to get people to understand what we want to do, what we will do and what we're capable of doing. Not just me -- or my DONDA creative team, or my design team, or my music team -- but an entire generation that has the information highway and the ability to access information. Information is not only power; it's simply everything. It can be a scary thing for people to think universally, to think in terms of the world. It's not traditional. There's a lot of people who want to make sure things don't become a hybrid, but the Internet has opened up every conversation, literally and metaphorically. It starts as homogenizing, but this hybrid-ing, this interbreeding of ideas, is necessary for us as a race to evolve. (Thank God for Steve Jobs.) For example, there was an embroiderer at a fashion house who was in her 90s and she refused to give anyone her technique. She said, "When I die, this technique will die also." I think the opposite of that. I think it's so important for me, as an artist, to give Drake as much information as I can, A$AP, Kendrick, Taylor Swift, any of these younger artists as much information as I can to make better music in the future. We should all be trying to make something that's better. It's funny that I worked at the Gap in high school, because in my past 15 years it seems like that's the place I stood in my creative path -- to be the gap, the bridge.

It's beautiful when you can connect a purpose to things that you've spent a lot of time on. I feel very positive about the future. People are starting to recognize and just give me a chance to be looked at, respected and a part of the conversation. I really appreciate that my collection at New York Fashion Week was accepted positively. The moment that I saw Alber Elbaz, he patted me on the back and said, "Keep going." It's important to believe and it's equally important to pay your dues.

I was speaking at a fashion award ceremony -- I gave the head of Milk Studios, Mazdack Rassi, the first award of the night -- and I talked about the concept of "the fashion insider." I believe that everyone is a fashion insider, because it's illegal to be naked. But in all seriousness, the fashion world can say, "Yo, you know what I mean: the inside insiders." I saw this article that asked, "Should Kanye leave fashion to the professionals?" That question is really ignorant, in a way, because the second I sell my first T-shirt or my first shoe, doesn't that make me a professional? And when you sit down with Riccardo Tisci at the Louvre and he pitches the idea of you wearing a leather kilt, which could be considered by all of your gangbanging friends as some sort of a dress or skirt, at that point you are now a part of the fashion world. You have paid your dues to be an insider. I paid my dues when I had to wear a kilt in Chicago, and friends would say, "What's your boy got on?" But there are warriors that have killed people in kilts in the past. Who gets to decide what's hard and what's not hard? When I saw this kilt, I liked it. I was into it. It looked fresh to me. I felt creative; I didn't feel limited by some perception.

kanyewest_spread_1.jpgIt's funny to be so famous and noted for one thing, and to have so many people try to box you out of another form of art, even if you've proven you're an artist of one form. My goal isn't to "break through the fashion world;" my goal is to make usable sculpture. My goal is to paint. My goal is to be as close to a five-year-old, or a four-year-old, or a three-year-old, as possible. If a three-year-old says, "I like the color orange," he's not giving an explanation to an entire world that can give him a thumbs-up or a thumbs-down on whether or not he should like the color orange. I don't care about the thumbs-up or the thumbs-down. Fashion is something that's in my heart to do -- in my spirit. There's no world that can stop me from what I love. Not the rap world, not the fashion world, not the real world. But it hurt me as a human being to see that article written, with the amount of work that's there and the potential and what I know I will eventually do. But behind bravery and courage is the ability to brace for pain, not the idea of never having pain or trying to avoid pain. Bravery and courage is walking into pain and knowing that something better is on the other side. I heard this quote from Steve Jobs: someone came up to him when he was working on something and said, "Hey, just do it. It will be easy." And he said, "Wait a second. Anything halfway good is at least medium hard." There's no easy way out. Just choose what you want to focus on. Right now, over 70 percent of my focus is on apparel. I haven't even given my College Dropout of clothing yet. We're still on mixtapes.

When I was working at the Gap at 15, I don't think I had any desire to actually make clothes, but I always felt like that's what I wanted to be around. I loved the fabrics, I loved the colors, I loved the proportions. Abercrombie was too expensive for me and the Gap was too expensive for me. Even though I worked at the Gap, I didn't get enough hours to get a discount because I was a part-time employee, because I went to high school. At that time I focused mostly on painting and basketball, but then I took two steps away from my potential career as an artist. I had scholarships to Saint Xavier, the Art Institute of Chicago -- I went to the American Academy of Art on an arts scholarship, but I stepped back from that to paint in a different way. I chose to paint sonically. To chop samples in a Warhol-type way. I just looked at civilization: I'd have an assignment to do an ink drawing that took me two weeks, three weeks, and I'd show it to my friends and they'd say, "Cool. My friend can draw. Now let's go play ball. Let's go downtown and talk to some girls." But when I'd work on a track, I'd work on it for just that afternoon -- chop up a sample, put some drums to it. And if my friends liked it, we'd make a tape of it and play it all the way downtown. We'd listen to it all night, keep rewinding it. I made a decision at that point to focus on painting with sound instead of painting visually. I loved music. I loved it more than I love it now. But I think that can happen with anything. You can live in New York for 10 years and say, "I now want to move to San Francisco." It's just harder for me to do music now, period. It's easier for people who focus on it all day and who are younger in their concept of what they want to do with it. I am not what I would consider truly a musician. I am an inventor. I am an innovator.

Graduation was an innovation. 808s & Heartbreak was an innovation. The song "Niggas in Paris" was an innovation. "Only One" was an innovation. "FourFiveSeconds" was an innovation. I care about innovating. I don't care about capitalizing off of something that we've seen or heard a thousand times. I'm not a capitalist in that way. I'm an innovator. That's my job. I like two things: I like innovating and I like making things better. It's not that I always have to invent things that are new. Sometimes I can take something that's there and attempt to make a better version and that's what gets me off. Bottom line. 

kanywest_spread_2.jpgI heard a comment -- a joke -- about the Tidal press conference being an Illuminati moment. If there was actually an Illuminati, it would be more like the energy companies. Not celebrities that gave their life to music and who are pinpointed as decoys for people who really run the world. I'm tired of people pinpointing musicians as the Illuminati. That's ridiculous. We don't run anything; we're celebrities. We're the face of brands. We have to compromise what we say in lyrics so we don't lose money on a contract. Madonna is in her 50s and gave everything she had to go up on an award show and get choked by her cape. She's judged for who she adopts. Fuck all of this sensationalism. We gave you our lives. We gave you our hearts. We gave you our opinions!

Let's just tap back into the real world for a second -- we can have children. Let's be thankful. We can raise our kids, let's be thankful. But how about we raise our kids in a truthful world, not a world based on brands and concepts of perception? Perception is not reality. When I look in North's eyes, I'm happy about every mistake I've ever made. I'm happy that I fought to bring some type of reality to this world we choose to stay in right now, driven by brands and corporations.

I also love people being inspired to follow their dreams, because I think people are oppressed by smoke and mirrors, by perception. There isn't an example of a living celebrity that has more words formed against him, but just a little self-belief can go a long way. I think the scariest thing about me is the fact that I just believe. I believe awesome is possible and I believe that beauty is important. When I say "beauty," what's your current definition of beauty? When I think beauty, I think of an untouched forest, only created by God's hand. I think of a gray sky that separates the architecture from the background and creates these amazing photographs because you don't have to block the sun above you when you're taking the photograph. I think beauty is important and it's undermined by our current corporate culture. When you think about the corporate office, you don't see the importance of beauty. I think all colors are beautiful and in a corporate world only one color is. But another thing is that I believe money is important. I think that artists have been brainwashed to look at money as a bad thing, and it's not. I think they're equally important in our current civilization.

kanye_spead_3.jpgWhen I was 10 years old I lived in China, and at the time they used to come up to me and rub my face to see if the color would rub off. It was really fucked up, but I feel like it was preparing me for a world perspective that a lot of my friends who never got a chance to travel didn't get. Now my perspective, a lot of times, is so much wider than someone who's limited to the concept of any particular so-called world that's not the real world. I take into account all of what's happening, from the boom of business in San Francisco to the poverty in Africa -- and that is wide perspective. When I was in fifth grade in China, when kids would come up to me and touch my face, it was like they had never seen a black person before, but that was a while ago. That was 20 years ago and of course we've come a long way now. That's not the current state of mind. On "Never Let Me Down" I rapped, "Racism's still alive, they just be concealing it," but for the next generation that's not necessarily true. Racism is something that's taught, but for the new post-Internet, post-iPad kids that have been taught to swipe before they read, it's just not going to affect them as much. They realize that we are one race. We're different colors -- my cousins and I are different shapes and we're all from one family. We're all from one family called the human race. It's simple as that. This race is up against some interesting things -- poverty, war, global warming, classism -- and we have to come together to beat this. It'll only be as a collective that we can beat this, and we can. We can create a better world for ourselves.

People have asked why I don't speak out -- on social media, for example -- about events in this country. The way I see it, it's not about a post on social media from me when there are people dying. There's people in Chicago dying. There's people all across the globe dying for no reason! There's people who'll never have the opportunity to live their lives for terrible, nonsensical reasons. I care about people. I care about society. I care about people being inspired. I care about people believing in themselves, because that's the scariest thing. The modern population cannot be controlled by the system -- they break the system.

kanyewest_spread_4.jpgOne time I was at the dentist's office and I was given nitrous gas and I was vibing out -- I guess that's my version of Steve Jobs and his LSD trip -- when I had this first thought: What is the meaning of life? And then I thought, To give. What's the key to happiness? Happiness. What do you want in life? When you give someone something, should they give you something in return? No. We don't have to expect to be compensated by the person we give to. Just give. I'm a Christian so I'll speak in Christian terms: God will give you tenfold. Then I said in my mind -- I'm still under the gas and getting my teeth cleaned -- But I just want to be remembered. And I immediately corrected myself. I said, It doesn't even matter if I'm remembered. I came out of the gas and had a completely new attitude on everything. It's fine to not get credit for everything; it's almost better. For the amount of things that I really want to do, it can only work if I'm credited for about 20 percent of them. Because if I'm really credited for the amount of things that I'm going to do and what I want to do, it's just too much. The reward is in the deed itself. The times that I've looked like a crazy person -- when I was screaming at an interviewer or screaming from the stage -- all I was screaming was, "Help me to help more! I've given all I've got. I've gone into fucking debt. It's all I've got to give. But if I had a little bit more opportunity, I could give so much more." That's what I was screaming for. Help me to help more.

pinterest  
miley_papermagazine_1.jpg
Miley Cyrus is in the midst of making a heated point about animal rights, and she's getting so worked up about it her cheekbones are jabbing the keypad of the telephone, punctuating our conversation with errant beeps. She's calling from "the middle of the jungle" -- or, more specifically, a tiny island in the Caribbean, where she's on vacation with her family. "If you could see where I am right now, you would be laughing so hard," she says. "I feel like I'm in the middle of the Bermuda Triangle, and something is about to zap me into nothingness."

Cyrus almost immediately starts talking about how she decided to become a vegan last year. She was touring the world in support of Bangerz, her platinum 2013 album, when her beloved dog, Floyd, an Alaskan Klee Kai, was mauled by a coyote. She quit consuming animal products almost immediately. She hasn't spoken much about the switch, but she says that she's finally ready to be held accountable -- to be an example. 

It turns out Cyrus is deeply interested in accountability. At 22, she's perhaps her generation's most unlikely social activist, and also one of its most powerful. Now she's harnessing that influence to counter what she sees as an unacceptable reality: young people being persecuted and cast out for their sexuality. Inspired in part by the death of Leelah Alcorn, a transgender girl who committed suicide in late 2014 after being forced to undergo so-called "conversion therapy," Cyrus recently announced the Happy Hippie Foundation, a philanthropic venture designed to raise funds and awareness for homeless and LGBT youth. "We can't keep noticing these kids too late," she says. 

Last summer, when "Wrecking Ball" earned her a VMA for Video of the Year, Cyrus sent 22-year-old Jesse Helt -- one of nearly 114,000 homeless men and women presently living in California -- onstage to palm the statue. A year had passed since she'd tugged on a flesh-colored latex bikini and intimated digital intercourse with a foam finger while Robin Thicke, bedecked in Beetlejuice stripes, stood smirking behind his aviators. The 2014 performance was less jubilant, if significantly more heartfelt. Helt, reading from a small piece of paper, recounted his plight. When the camera cut to Cyrus in the audience, wearing a black leather ensemble and perched, precariously, on some kind of partition, her eyes were glinting, hot. "I felt like I was witnessing a modern-day 'I Have a Dream,' and it had nothing to do with me," she says. 

Happy Hippie is designed as a corrective to what Cyrus understands as immoral politicking, the sort that pits outliers as pariahs and favors an archaic status quo. The foundation treats at-risk kids with art and animal therapies, two proven balms that have been instrumental in Cyrus' own self-care. Although she was raised Christian, Cyrus maintains a particular contempt for fundamentalist lawmakers who rally against this sort of progressive, potentially life-saving change. "Those people [shouldn't] get to make our laws," she says. Those people -- the ones who believe that, say, Noah's Ark was a real seafaring vessel. "That's fucking insane," she says. "We've outgrown that fairy tale, like we've outgrown fucking Santa and the tooth fairy."  

Eventually, she says, the problem of homelessness became impossible for her to ignore. "I can't drive by in my fucking Porsche and not fucking do something," she says. "I see it all day: people in their Bentleys and their Rolls and their Ubers, driving past these vets who have fought for our country, or these young women who have been raped." She pauses. "I was doing a show two nights ago, and I was wearing butterfly nipple pasties and butterfly wings. I'm standing there with my tits out, dressed like a butterfly. How the fuck is that fair? How am I so lucky?"


miley_papermagazine_6.jpg
miley_papermagazine_5.jpg
miley_papermagazine_4.jpgCyrus grew up outside of Nashville with her brothers and sisters on a 500-acre farm where, she says, she began a formative practice of getting up early in the morning and riding a dirt bike around in the nude. In the year of her birth, her father, Billy Ray, became briefly, colossally famous for wearing a mullet and performing a country song about getting dumped. Dolly Parton is her godmother. ("She taught me how to treat people well," Cyrus says.) In 2006, Cyrus was cast in the title role of the Disney Channel's hugely popular Hannah Montana, the gig that would handily propel her to mega-stardom.

Although her parents' marriage has been, at times, tempestuous -- each has filed for divorce and subsequently called off the proceedings -- Cyrus is wholly enamored with both. She calls her dad a "cool hippie psycho freak," which, in Cyrus' world, is praise of the highest order. Her mom, Tish, a producer and actress, is "super cosmic" and "a complete optimist, the fucking cheerleader of the universe." There is deep affection in Cyrus' voice, even when she refers to them again, later, as "conservative-ass motherfuckers."

She says she has come to consider her own sexuality -- even her own gender identification -- fluid. "I am literally open to every single thing that is consenting and doesn't involve an animal and everyone is of age. Everything that's legal, I'm down with. Yo, I'm down with any adult -- anyone over the age of 18 who is down to love me," she says. "I don't relate to being boy or girl, and I don't have to have my partner relate to boy or girl." She says she's had romantic entanglements with women that were just as serious as the ones (Liam Hemsworth, Patrick Schwarzenegger, Nick Jonas) that ended up in Us Weekly. "I've had that," she admits. "But people never really looked at it, and I never brought it into the spotlight."

She recalls confessing to her mother, at age 14, that she had romantic feelings toward women. "I remember telling her I admire women in a different way. And she asked me what that meant. And I said, I love them. I love them like I love boys," she says. "And it was so hard for her to understand. She didn't want me to be judged and she didn't want me to go to hell. But she believes in me more than she believes in any god. I just asked for her to accept me. And she has." These days, Cyrus only wants to grant others the same clemency. 

miley_papermagazine_8.jpg
miley_papermagazine_7.jpg
miley_papermagazine_2.jpgmiley_papermagazine_10.jpgSince leaving the Disney cocoon for a pop career, Cyrus has accrued equal amounts of public adoration and derision. At times the naysayers have been loud, nearly gleeful. There is, for example, a four-minute YouTube montage titled "Miley Cyrus Worst Moments" that features her jokily simulating various sex acts on her buddies, smoking alone in a parked car and crying while singing. To which I say: who among us has not had that kind of day? 

There's also a sizable amount of twerking, the move for which Cyrus is infamous: hands on knees, back pitched into a perfect arc, buttocks outstretched, cheeks gyrating so wildly they appear to be operating independent of the rest of her body. It is strange, now, to think this was ever considered subversive. With Cyrus, there were initial rumblings of cultural misappropriation -- that she was not entitled to perform this dance, this way, with the partners she chose -- but then twerking got cute, trickled down, became one of those buzzwords local news anchors over-enunciate with forced bemusement while inwardly fantasizing about the first scotch of the evening.

What is less discussed is that Cyrus is a very good pop singer and occasionally a great one. She has a porous, burly voice that recalls Rumours-era Stevie Nicks -- the kind that's good for communicating particular strains of duress (specifically: what it feels like to love too hard). But what she has managed to do better than nearly anyone -- save, perhaps, Andrew W.K. -- is legitimize partying as an ideological choice. In Cyrus' hands, "La da dee da dee / We like to par-tee" becomes a resonant generational credo. That she has been persecuted for these things -- or at least openly mocked -- makes her commitment to love-yourself-no-matter-what activism even more poignant. 

As for the next record, she's moving forward on her own terms, despite some nail-biting from her camp: "They're like, 'Don't make it too weird, don't make it avant-garde; you can't go from Miley to Björk!'" She's recording at all hours in a studio she recently built out of her garage in Los Angeles. "I don't have to have writers, I don't have to have fuckin' producers in there. Mike Will will text me a beat, and I'll go in my studio and work on it by myself." She says she's been listening to the Flaming Lips "almost exclusively." (Lips frontman Wayne Coyne, whom she calls "the most closest fucking human in my life," is a recent collaborator.) Also a little Gucci Mane. A little Waylon.

For Cyrus, it's less about renouncing her past than imagining a wild new future, one in which people are free to buck expectations and live whatever kind of life feels truest to them. She remains refreshingly cognizant, meanwhile, of everything that's left for her to learn. Which sounds unremarkable, maybe, but is anomalous among people for whom all the traditional signifiers of success (fame, adulation, profit) have been realized. It gives her a specific charm -- an uncommon openness. 

I believe her when she says she's the least judgmental person ever. "As long as you're not hurting anyone," she says, "your choices are your choices."


Go here to see Miley's Paper cover and to learn more about our Use Your Voice issue, on stands June 22nd. Find out more about the Happy Hippie Foundation here.

Creative direction by Diane Martel, body paint by Ben Jones, styling by Simone Harouche, makeup by Pati Dubroff using M.A.C Cosmetics, hair by Dylan Chavles for Salon Benjamin; digital tech: Matt Coats; 1st assistant: Daniel Savage; 2nd assistant: Jason Cook; 3rd assistant: Joseph Mitchell

700x75.jpg

pinterest  
"I want to die with my blue jeans on," Andy Warhol once declared, just one of many cultural icons loyal to the sturdy twill uniform. And while like Warhol's pop art, jeans might be forever linked to images of Americana, across the pond there's a slew of small-scale British brands leading the way in pioneering, independent denim design. This year's LVMH Prize went to one such designer -- Marques'Almeida -- who beat out a field of competition that included another rising London-based denim talent, Faustine Steinmetz. Below, we look at these two brands along with eight others that are creating the coolest denim designs right now, everything from fuss-free utilitarian basics to the shredded and threaded, and more.

Marques_Collage.jpg1. Marques'Almeida

Marques'Almeida, the brainchild of Portuguese designers Marta Marques and Paulo Almeida, launched in 2011 and quickly gained international cult status for a contemporary grunge aesthetic inspired by subcultures and icons of their youth (think: Riot Grrrls, Corrine Day photography, PJ Harvey). Easily recognized by signature frayed edges, flap pockets and one-shouldered cuts, the brand has fostered a new era of slashed hems and ragged folds, in a range of washed indigo and primary colors. Rihanna is a fan, as is Solange Knowles, Ciara, Cassie and Elena Perminova. Its lived-in look now comes sparkled in Swarovski glitter and jewel embellishment, anchored in glorious '90s nostalgia.

Faustine_Collage.jpg2. Faustine Steinmetz

Born in Paris and now based in London, Faustine Steinmetz uses hand-woven techniques to create her threadbare fabrics and rugged rips. Basic silhouettes are given a teen-dream remix -- jeans come hand-felted or painted in thick silicone, while playfully exaggerated stitching gives a trompe l'oeil effect. It's a youthful joie de vivre that pulls on her Parisian heritage and London surroundings, with each piece laboriously spun on a handloom that can take up to one week to make. It is a precious and meticulously time-consuming approach using recycled fabrics and sustainable yarn, and as a result, very few samples are made. However while small in number, Steinmetz is mighty in impact.

Bethnals_Collage.jpg3. Bethnals

Bethnals is a completely unisex range of utilitarian denims that aims to blur the boundaries of age and gender with their line of skinny and boyfriend-cut shapes. Inspired by the diverse melting pot of cultures found in London, the brand was created by self-confessed denim addict Melissa Clement, a former denim buyer for Topshop who has worked within the industry for 14 years. The label was originally funded by Kickstarter, before being picked up by East London jean-hub Bad Denim and recently opened its flagship store within London's Spitalfields. The brand champions classic, timeless shapes, with a look book that carves a dreamlike androgyny: washed denim jackets, white shirts, baseball stripes and fuss-free cuts.

Frame.jpg4. Frame Denim

With a celebrity following including Miranda Kerr, Heidi Klum, Kate Bosworth, and Alessandra Ambrosio, Frame Denim is perhaps the biggest heavyweight on our denim list. The brand was conceived in 2012 by Swedish duo Erik Torstensson and Jens Grede, also responsible for London's creative powerhouse, The Saturday Group, an enterprise of twelve diverse companies covering digital, e-commerce and brand management. What launched as a singular pair of jeans (Le Skinny, 2012) has become an international denim dynamo with a loyal super-fan following and a collaborative line with Karlie Kloss (Forever Karlie), which evolved after she complained to the designers about her frustration at finding a denim long enough for her 'legs for days' frame. Voilà, they created a pair, and a new model-designer collab was born.

Waven_Collage.jpg5. Wåven

Wåven seamlessly fuses Scandinavian design with a London edge, with their sleek line of classic jeanswear that includes shirts, jackets and trousers. The brand launched in 2014, gaining fast popularity for their relaxed clean cuts, loose box shapes and neutral color palette, before being picked up by Urban Outfitters and Topman. Head over to their Tumblr for a beautifully curated moodboard of influences and styling.

Donna_Collage.jpg6. IDA

Sydney-native Ida Thornton moved to the UK in the late '90s, before opening her first Donna Ida denim boutique in 2006 after noticing a frustrating gap in the market for durable, comfortable denim. The Jean Queen now owns two stores in Chelsea and Belgravia, stocking brands including J Brand and Current/Elliott, along with her own line of IDA denims -- a high-waisted fit inspired by iconic women from Bardot to Hepburn. She also runs denim clinics, to assist women in sourcing their favorite fit, and is a patron for Jeans for Genes, a charity fundraiser based in the UK and Australia.

Mih.jpg7. MiH Denim

MiH Denim originally made its name during the 1970s, launched by Tony O'Gorman under the moniker Made in Heaven, and quickly became known for its flattering leg-lengthening, playful styles and iconic dove motif. Four decades later, his goddaughter Chloe Londsdale reestablished the brand in 2006, placing a contemporary twist on its retro archive designs. The brand is once again thriving, in a vast range of styles and washes, from dark indigo flares and distressed boyfriend cuts to stonewash overalls and patchwork skirts, favored by the likes of Claudia Schiffer, Natalia Portman, Sarah Jessica Parker and Katie Holmes.

Aries_Collage.jpg8. Aries

The streetwear brand was founded by Sofia Prantera and Fergus "Fergadelic" Purcel, who met in the early '90s at London's iconic skate store, Slam City Skates. Their haute-couture skate-girl look throws graffiti prints and graphic rainbow streaks in with relaxed androgynous cuts and micro minis, referencing a pop-cultural cross-blend of rave, punk and grunge for their undone D-I-Y glamour. 

Keji.jpg9. KÉJI  

Newly launched KÉJI places a modern spin on industrial workwear. The brand was founded by Katie Green, a Hong Kong native who currently designs her utilitarian denims from an East London studio. The result is an Anglo-Japanese blend of boxy, drawstring jackets, voluminous trousers and kimono sleeves, underpinned by '90s minimalism. Each piece is created using non-stretch heavy denim sourced in Japan, designed for endurance and longevity.

Story_Collage.jpg10. Story mfg

Story mfg plays the denim slow game -- a thought-to-thread concept founded by Katy Katazome and Bobbin Threadbare, which pulls together innovative weaves and washes to create their vintage-inspired denim pieces, which shun traditional, non-environmentally friendly techniques. The brand experiments with textile production and ethical dye methods and most recently set up shop in a suitably unconventional houseboat on Regent's Canal
www.virgoworldventures.net. Powered by Blogger.

Contact Form

Name

Email *

Message *

Followers

Followers

Labels

Tweet Us@virgoworldworl1

Labels